Download Ebook Digital Color Management: Encoding SolutionsBy Edward J. Giorgianni, Thomas E. Madden

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Digital Color Management: Encoding SolutionsBy Edward J. Giorgianni, Thomas E. Madden

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The color-imaging industry is on the threshold of major transformation and enormous expansion as digital color technology comes of age, bringing high-quality color to desktop systems and the Internet. However, the technology is not without challenges. In particular, it must contend with an ever-increasing variety of imaging devices and media. At the same time, it must produce predictable color results from individual systems and provide successful exchange of digital color images among different types of systems. Digital Color Management: Encoding Solutions offers engineers, scientists, and programmers practical solutions to these and other challenges of color imaging in the digital domain. Going beyond standard color-measurement techniques, this book describes advanced methods for digitally representing and communicating color. It provides clearly written background on the science of color and imaging technology, a detailed explanation of digital color encoding today, and an examination of the issues involved in creating a truly device-independent, unified, color-managed environment compatible with all major platforms and devices.Combining the expertise of Edward Giorgianni and Thomas Madden, two principal developers of many color-encoding methods and interchange standards used throughout the color-imaging industry, this book provides a first-hand account of the current state of that industry and an insightful look at its future. The book also features: *Over 350 full-color figures and photographs *Appendices covering the details of color-interchange transformations for current systems, including PhotoYCC, Cineon, FlashPix, and systems using International Color Consortium profile format standards *Foreword by world-renowned color scientist R.W.G. Hunt 0201634260B04062001

• Amazon Sales Rank: #5111727 in Books
• Published on: 1998-01-06
• Original language: English
• Number of items: 1
• Dimensions: 1.07" h x 7.60" w x 9.45" l, 1.10 pounds
• Binding: Hardcover
• 576 pages

Review "The writing is extremely clear, well paced, and well illustrated. . . Their experience with all of these systems provides a background that is both broad and deep when they explain the limitations of many color-management systems and propose a comprehensive color-management environment." (Journal of Electronic Imaging, 2009)

"The book is illuminatively written, impeccably printed and illustrated in color." (SIVip, 2010)  

From the Inside Flap

Digital color imaging is one of today's most exciting and fastest growing fields. As evidence, one only need consider that according to industry estimates, more digital color images were produced during the past year alone than the total number produced in all previous years! The excitement and phenomenal growth in the field are not surprising, because digital technology offers unprecedented capabilities for editing, manipulating, storing, and displaying color images. But that technology is not without problems. In particular: Many current digital imaging systems do not produce predictable color results. Most systems will not work with all of the different types of imaging devices and media now available. It is often difficult or impossible to successfully exchange digital color images among different types of systems.

Although numerous solutions to these problems have been offered--generally in the form of color-management applications and image file format standards--none has been entirely successful. This is a most serious concern, because until these problems are solved, the full potential of digital color imaging cannot be realized.

We believe there is an underlying reason why these problems persist: The basic technology of color encoding--the representation of color in numerical form--is not widely understood.

While that is unfortunate, it also is understandable. The sciences of color and digital imaging are enormous in scope, and that has made it extremely difficult for equipment and media manufacturers, application developers, system designers, and others to find needed information.

That is why we have written this book. Our objective was to produce a single text containing all the essential information required for a solid understanding of the technology of representing and managing color in the digital domain. The book is intended for scientists, engineers, programmers, and others who are interested in developing that understanding. While we expect that most readers will have some scientific background and a basic familiarity with digital imaging, we have not assumed any specific prior knowledge of color. For that reason, we have provided background information as necessary, and we have included explanations of all required color science.

Among other benefits, a knowledge of digital color-encoding technology will allow the reader to comprehend fully such current topics as Photo CD System color, device-independent color, color interchange standards, and color- management systems. More generally, understanding the basic principles of numerically representing color is essential for anyone concerned with the successful input, storage, editing, interchange, and output of digital color images. We sincerely hope that those seeking information on this subject will find our book useful and interesting. Acknowledgments

We wish to thank the following principal reviewers for their many helpful comments and suggestions: Paula J. Alessi, Ira A. Gold, H. Scott Gregory, Jr., Robert W. G. Hunt, John T. Keech, Thomas O. Maier, Elizabeth McInerney, Robert F. Poe, Michael R. Pointer, Charles Poynton, Chris Sears, John S. Setchell, Jr., and Michael Stokes.

We also wish to thank Paul L. Day, Jr., Timothy Harrigan, and Cynthia A. Pellow for their assistance in preparing the photographic images used in this book and Frank R. Brockler for preparing the three-dimensional figures. 0201634260P04062001

From the Back Cover

Digital Color Management: Encoding Solutions offers engineers, scientists, and programmers practical solutions to these and other challenges of color imaging in the digital domain. Going beyond standard color-measurement techniques, this book describes advanced methods for digitally representing and communicating color. It provides clearly written background on the science of color and imaging technology, a detailed explanation of digital color encoding today, and an examination of the issues involved in creating a truly device-independent, unified, color-managed environment compatible with all major platforms and devices.

Combining the expertise of Edward Giorgianni and Thomas Madden, two principal developers of many color-encoding methods and interchange standards used throughout the color-imaging industry, this book provides a first-hand account of the current state of that industry and an insightful look at its future. The book also features: * Over 350 full-color figures and photographs * Appendices covering the details of color-interchange transformations for current systems, including PhotoYCC, Cineon, FlashPix, and systems using International Color Consortium profile format standards * Foreword by world-renowned color scientist R.W.G. Hunt 0201634260B04062001

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Ebook Free Method Meets Art, Second Edition: Arts-Based Research PracticeBy Patricia Leavy PhD

Ebook Free Method Meets Art, Second Edition: Arts-Based Research PracticeBy Patricia Leavy PhD

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Method Meets Art, Second Edition: Arts-Based Research PracticeBy Patricia Leavy PhD

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A comprehensive, highly accessible introduction to arts-based research (ABR), this widely used text provides a practical guide for researchers who want to uncover information that traditional methods cannot capture. Patricia Leavy addresses all eight major ABR genres--narrative inquiry, fiction-based research, poetry, music, dance, theatre, film, and visual art. Following a consistent format, chapters review how each genre developed, explore its methodological variations and the kind of research questions it can address, and describe sample studies. An exemplary research article or online video link demonstrates each set of techniques in practice.

New to This Edition:
*Covers two additional ABR genres: fiction-based research and film.
*Chapter on the criteria for evaluating ABR studies.
*Most end-of-chapter exemplars are new; plus links to online exemplars added for ABR performance studies.
*Chapters restructured to follow a consistent format.
*Implications for creative arts therapies are addressed throughout.
*Increased attention to public scholarship and audience issues.
*Expanded discussions of ABR as a paradigm, playbuilding, and technology.

Pedagogical Features:
*Checklists of issues to consider when deciding how to use a particular method.
*Discussion questions and activities that can be worked on in class or assigned.
*Annotated lists of suggested readings and websites, including links to online performance pieces.
*Instructive research examples from multiple disciplines.
*Flexibly organized so that chapters can be read independently or in sequence.

• Sales Rank: #10698086 in Books
• Published on: 2015-01-07
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .81" w x 6.00" l, .0 pounds
• Binding: Hardcover
• 328 pages

Review
"Leavy has another winner! A practical, engaging guide, Method Meets Art, Second Edition, makes a persuasive case for ABR as its own developed paradigm with the  potential to advance public scholarship. The second edition includes current examples, an important chapter on evaluation, and new discussions of film, fiction-based research, playbuilding, and creative arts therapies. This book is useful for all qualitative researchers who want to step outside a traditional mode, as well as for any graduate or advanced undergraduate class exploring ways to blend qualitative methods with narrative, music, dance, poetry, drama, fiction, film, visual art, and other creative expressions."--Carolyn Ellis, PhD, Distinguished University Professor and Chair, Department of Communication, University of South Florida

"For Leavy, inquiry and performance are not the sole possessions of either science or art, but rather the children of technique, vision, and imagination. This book gently guides us from more familiar means of narrative and poetic expression to more adventurous and experimental modes of music, dance, and visual arts. Along the way, Leavy shares wonderful, original examples of how method meets art to produce research reports that are as accurate as they are moving and as rigorous as they are beautiful. The book challenges us as researchers to not so quickly select a comfortable way to create and share research, but rather let the inquiry’s focus, the data’s form, the audience’s perspectives, and our inner muse guide us to consider new alternatives. Read this book and be prepared to base your research in art like you never could have imagined before!"--Ronald J. Chenail, PhD, Graduate School of Humanities and Social Sciences, Nova Southeastern University

"This evocative second edition is a gem for all who want to know more about ABR and the power and potential of the arts in defining our world. Leavy has succeeded in pushing the borders of our understanding of the importance of the arts in research and in writing. The new chapter on evaluating ABR and the provocative discussion of the art/-science divide make the book a 'must read.' I will certainly use this text in my qualitative methods courses."--Valerie J. Janesick, PhD, Department of Educational Leadership and Policy Studies, University of South Florida

"Like height marks on a doorframe that record a child's growth, Leavy's second edition records a major growth spurt in ABR over the past several years. Arts-based researchers and the broader qualitative research communities continue to be indebted to Leavy for her documentation, celebration, and advocacy of multiple ways of knowing. This extensively updated edition is rich with exemplars and sophisticated discussions of the epistemological and methodological issues that underpin this work. It is a standout book and a 'must have.'"--Joe Norris, PhD, Department of Dramatic Arts, Brock University, Canada

"Well written, engaging, and thoughtful. The teaching features of this book are second to none. As a qualitative researcher, but not an arts-based researcher, I appreciate the way that Leavy weaves pedagogical practices into her text, allowing for scaffolding of those new to ABR. This text serves as a bridge to the various genres, idiosyncrasies, practices, and possibilities of ABR. I highly recommend this book to students of research methods, professors of educational research, and artists who wish to engage in educational research and pedagogy."--Jennifer L. Milam, PhD, Department of Curricular and Instructional Studies, University of Akron

"I love this book! It provides detailed information on each method, with an example at the end of the chapter; covers all the main ABR genres; and draws exemplars from multiple disciplines in social science. Each chapter is independent from the others, so reading doesn’t need to be linear. This is a great resource for professors who want to learn about (and teach) ABR to their students."--Jeong-Hee Kim, PhD, Department of Curriculum and Instruction, Kansas State University

"A leading-edge, articulate, comprehensive overview of ABR. The second edition expands into new terrain to make a robust case for ABR across disciplines. Patricia Leavy has once again moved ABR forward, showing how these methods can illuminate and clarify the human experience by bridging the arts and science divide. She demonstrates that ABR methods can take us beyond the limits of quantitative conclusions and into the realm of implicit, person-centered wisdom. This book will undoubtedly be required reading for researchers and students in psychology, social sciences, creative arts therapies, and arts education."--Cathy A. Malchiodi, PhD, ATR-BC, LPAT, LPCC, REAT, Division of Expressive Therapies, Lesley University; Director, Trauma-Informed Practices and Expressive Arts Therapy Institute

"This is the perfect introductory text for graduate-level courses on ABR, and is also ideal for undergraduate surveys of multiple qualitative methods. Key to the book's usefulness are its broad definition of ABR and its inclusion of the multiple artistic genres that have been used as modes of data collection, analysis, and representation in qualitative research."--Susan Finley, PhD, Department of Teaching and Learning, Washington State University

"This book is a great foundation for conducting ABR projects as well as a primer for explaining how and why ABR methods complement traditional methods. Leavy introduces us to the field while walking us through issues and topics overlooked by traditional research engagements. Leavy is conscious that she is on the cutting edge of this dynamic methodology and provides thoughtful background and bridging concepts/language. She helps those who use ABR practices succeed in their research and defend their methods to their institutions and audience."--Paulette Moore, MA, Visual and Communication Arts Department, Eastern Mennonite University

"An excellent introductory text for arts-based research (ABR)….It is time for the arts as research to reside in the research methods classroom and in research proper....Leavy adeptly relates the most basic techniques in ABRgiving them away to students and researchers alike. In addition, she exceeds the introduction of techniques by presenting excellent examples of ABR research by experienced ABR methodologists. These elucidate ABR methods by showing students and beginning researchers what those methods 'look like' when done well....I greatly appreciate Leavy's adept handling of this introduction to ABR, showing that it is legitimate, useful, and authentic among research methodologies. I have taught research methods in behavioral science for over 15 years and will use Leavy's book alongside a traditional research methods text, next time around. It is an excellent resource for students, for beginning researchers, and for academicians in the arts, literature, and social and behavioral sciences." (on the first edition) (PsycCRITIQUES 2009-01-01)

"Method Meets Art serves as a methods book to all arts-based researchers coming from different disciplines as Leavy provides an updated comprehensive overview with practical variations, lists of suggested readings, and research examples. But it may also be of interest to researchers and artists outside the qualitative community and various fields as well as to anyone who wishes to explore the merging of science and the arts.” (The Qualitative Report 2016-01-01)

"Her book is equally relevant to experienced researchers looking to synthesize their artistic and research interests, and students seeking to develop an understanding of innovative research practice….Leavy enables her readers to gain a sense of how a particular art form might suit their research needs and skills-set, while simultaneously validating each methodology and providing guidance over how specific research practice might be emulated."(on the first edition) (Qualitative Research 2010-04-01)

"I found the book interesting and one I believe will be useful for those wanting to embark on using a different approach to research....For those practicing counseling and psychotherapy, whether engaged in therapy and/or research and not familiar with using alternative methods of enabling people to capture experience I believe this book could offer fresh insights to support and further their endeavors." (on the first edition) (Counselling and Psychotherapy Research 2010-11-01)

“In reading Leavy's book I can now see that all forms of research can inform, perform, reform, and transform what we think we know about the world around as well as ourselves as researchers and readers."(on the first edition) (Weekly Qualitative 2008-10-01)

"A breath of fresh air....The contribution of this book to the field of research methods is invaluable....Leavy successfully establishes the legitimacy of arts-based research in social science research and succinctly explains how pivotal arts-based research is to the future of academic research." (on the first edition) (International Journal of Education and the Arts 2009-07-01)

About the Author
Patricia Leavy, PhD, is an independent sociologist and former Chair of Sociology and Criminology and Founding Director of Gender Studies at Stonehill College in Easton, Massachusetts. She is the author, coauthor, or editor of over 20 books. She is also the creator and editor of seven book series. Known for her commitment to public scholarship, she is frequently contacted by the U.S. national news media and has regular blogs for The Huffington Post, The Creativity Post, and We Are the Real Deal. Dr. Leavy has received numerous awards for her work in the field of research methods, including the New England Sociologist of the Year Award from the New England Sociological Association, the Special Achievement Award from the American Creativity Association, the Egon Guba Memorial Keynote Lecture Award from the American Educational Research Association Qualitative Special Interest Group, and the Special Career Award from the International Congress of Qualitative Inquiry. In 2016, Mogul, a global women’s empowerment platform, named her an “Influencer.” Dr. Leavy delivers invited lectures and keynote addresses at universities and conferences. Her website is www.patricialeavy.com.

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Free Ebook Sound Design, Mixing and Mastering with Ableton Live 9 (Quick Pro Guides), by Jake Perrine

Free Ebook Sound Design, Mixing and Mastering with Ableton Live 9 (Quick Pro Guides), by Jake Perrine

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Product details

Series: Quick Pro Guides

DVD-ROM: 176 pages

Publisher: Hal Leonard Books; Pap/Dvdr edition (January 1, 2014)

Language: English

ISBN-10: 1480355119

ISBN-13: 978-1480355118

Product Dimensions:

8.6 x 0.5 x 11 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

59 customer reviews

Amazon Best Sellers Rank:

#957,920 in Books (See Top 100 in Books)

So this is a good book for getting to know the general layout and workflow of Ableton 9, however it really should be called Producing Music with Ableton Live 9 Using Loops and Audio Clips. This book completely ignores the midi side of Ableton. None of Ableton's bundled instruments get so much as a mention. I find this particularly strange as there is an appendix where the author heaps praise on a few 3rd party instruments. The most commonly used audio effects are given a chapter of discussion, but again, nothing about midi effects. Heck, the piano roll isn't even mentioned...and that's a big part of Ableton for a lot of users. To be fair, the author does have another book that is supposed to be a companion to this..so he may cover it more in that book. All that said, the book is well written for what it is. I like the approach of building a song as you're learning the software. I just felt the scope of the book was a little limited.

If your trying to migrate and learn AL9, this should be in your library.I wouldn't go as far as to say this should be your only source of reference, but you could pair this up with Ableton Live 9 Power or Interactive Composition: Strategies Using Ableton Live and Max for Live and call it good.I say the above because it helps immensely to look at a problem and solution from 2 or more different angles, or worded 2 or more different ways.I went one step further and use all 3 books depending on what I'm stuck on, and read how each author teaches the process. Sometimes one author's solution clicks, sometimes another does, sometimes a solution suddenly makes sense only after I've read what another Author described.A great addition to your EDM AL9 collection

I like this book. The author takes you step by step through the various steps necessary for making music. Perrine's style is easygoing and never dry. His instructions, for the most part, are clear and easily understood. I've given it four stars (perhaps unfairly) because the Kindle book, "Power Tools for Ableton Live 9: Master Ableton's Music Production and Live Performance Application" is exactly the same. I thought I was getting two different books based on the titles.

I am a singer who wants to produce herself and to be able to lay down ideas without the high cost of studio time and to also be able to do so the second the muse hits. I am a novice in recording, for sure. Started out with GarageBand but needed more control. Took a free class at Guitar Center and the very knowledgeable instructor really encouraged me to use Ableton. I'm now using Ableton Live 9 Intro which was a free download with my Scarlett USB Audio Interface. This book is sooooooooooooo helpful. Step by step CLEAR breakdown of features and how to access these features. Yesterday I went step by step through the first 2 chapters. Found the info extremely helpful. I am most effective if I have a good foundation of how software thinks, then I can usually figure anything out. This book give a rock solid foundation of Ableton Live 9.

These books are great. I would start with Producing Music with Ableton Live 9 if you just spent 900 bucks and have no idea what you are doing. I spend months trying to figure just the simple stuff out and within three days of buying this book I had a lot of cool projects going and wasn't wasting so much time.

So different from a manual. Jake steers you through Live with exercises that propel through Abletons great features.It comes with a DVD so DO NOT buy the Kindle version as I did. You need the DVD to do the work:). I ended up with both but is was worth every penny. This is essentially a book for beginners, I believe. I was completely baffled by the initial complexity of Live but now I am hooked. I am no youngster, I recorded for CBS back in the late 60's in London..very OLD SKOOL for sure!! I worked through the old Fostex cassette units. then the Fostex Hard Drive units. Anyway..a great book...two thumbs up:)

Even if you have the printed documentation for Live 9, this is a good addition. Jake walks you through building a song -- primarily in session view -- and adds effects, etc. as they become relevant. By contrast, the Ableton documentation takes a feature-by-feature approach, with very little in the way of examples. Guaranteed you will learn something new.

First, for international buyers, I live on the brazilian's south and this cheap book came to me in 5 days through DHL. Very impressive. And it took 5 days, because nobody were in the house. On the 4th day they came and delivered a nice card with the exact time they would be on the next day. Amazing.The book itself is a very good step-by-step guide. I like the writing style and the author's Preoccupation about the basic audio concepts (on appendices). I knew about them, but I really liked the way it was explained on this book. I think we ever need new thoughts about the fundamentals.I really learned a lot with this book. Sometimes it is hard to follow some very detailed steps. And you really must follow every word. If you simplify what is being said, and quickly take an action, you won't get the expected result. So, I think that Perrine gave us a lot of attention on those words.It gave me a quick approach to the software, and I know how it works. Really, it's a very basic book, but it was what I needed. The Live's manual is complete, but it is also sterile. I truly recommend it for the beginners like me. It worth every penny.P.S.: I also bought the second Book "Sound Design, Mixing & Mastering" and unfortunately it has about 60 pages from the first book. It's a shame.

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Free PDF Ditch the Pitch: The Art of Improvised PersuasionBy Steve Yastrow

Free PDF Ditch the Pitch: The Art of Improvised PersuasionBy Steve Yastrow

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Ditch the Pitch: The Art of Improvised PersuasionBy Steve Yastrow

Free PDF Ditch the Pitch: The Art of Improvised PersuasionBy Steve Yastrow

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In today’s world, customers don’t want to hear sales pitches, but so many salespeople still rely on them. In his breakthrough handbook, Ditch the Pitch, Steve Yastrow, founder of a successful business strategy consulting firm, asks us to throw out everything we've been taught about pitching to customers. Steve’s advice: tear up your sales pitch and instead improvise persuasive conversations. Ditch the Pitch is an essential read for salespeople, business managers, and anyone wishing to persuade those around them. Organized into six habits, with each habit consisting of three practices necessary for mastery, Ditch the Pitch is designed to teach Yastrow's approach to fresh, spontaneous, persuasive conversations. These new skills will show the reader how to identify the details that make each customer unique and subsequently navigate a conversation that focuses on the right message for the right customer at the right time.

• Sales Rank: #429950 in Books
• Brand: Yastrow, Steve
• Published on: 2014-01-14
• Original language: English
• Number of items: 1
• Dimensions: 9.27" h x .70" w x 6.30" l, .84 pounds
• Binding: Hardcover
• 176 pages

Review
In these high pressure times of bite-size communications we all hunger to be listened to and cared for individually. Our customers know great hospitality, the kind that is not about selling but treating their needs as our highest priority. Steve Yastrow's teachings are applicable to any business that values long-standing success based on personal relationships. -- Alex von Bidder, Managing Partner, The Four Seasons Restaurant, NYC

Business is an act of improvisation, and I'm thrilled to see this thought brought into such sharp focus by Steve Yastrow. There's an axiom in our work: the less you plan the more you'll discover. We'd all benefit from ditching the pitch more often, and co-creating with our clients and prospects so we can discover more. -- Tom Yorton, CEO, Second City Communications

This new and refreshing approach to persuasive marketing will appeal to readers in sales jobs and beyond. -- Publishers Weekly

It's simple: sell to people the way you'd like to be sold to. This book will give salespeople the courage to be human. -- Seth Godin, Author of The Icarus Deception

About the Author
In addition to Ditch the Pitch, Steve Yastrow is the author of We: The Ideal Customer Relationship and Brand Harmony. Steve is president of Yastrow and Co., a consulting firm that helps organizations create powerful stories and communicate them in ways that build customer relationships and drive results. Steve's clients include McDonald's Corp., The Cayman Islands Department of Tourism, Jenny Craig International, and Great Clips for Hair, and many others. For more info visit www.yastrow.com

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Ditch the Pitch: The Art of Improvised PersuasionBy Steve Yastrow PDF

Ditch the Pitch: The Art of Improvised PersuasionBy Steve Yastrow PDF

Ditch the Pitch: The Art of Improvised PersuasionBy Steve Yastrow PDF

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