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• Sales Rank: #13758302 in Books
• Brand: Brand: MORATA
• Published on: 2013
• Format: Import
• Original language: Spanish
• Dimensions: 9.45" h x .59" w x 6.69" l,
• Binding: Paperback

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Free Ebook Clarice Bean Spells Trouble

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PDF Download Start Where You Are: A Guide to Compassionate Living (Shambhala Library)By Pema Chodron

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This is a beautiful, gift book edition (with a ribbon marker) of a modern-day classic. Start Where You Are is an indispensable handbook for cultivating fearlessness and awakening a compassionate heart. With insight and humor, Pema Chödrön, author of The Wisdom of No Escape and When Things Fall Apart, presents down-to-earth guidance on how to make friends with ourselves and develop genuine compassion toward others. The author shows how we can "start where we are" by embracing rather than denying the painful aspects of our lives. Pema Chödrön frames her teachings on compassion around fifty-nine traditional Tibetan Buddhist maxims, or slogans, such as:

   •  "Always apply a joyful state of mind"
   •  "Don't seek others' pain as the limbs of your own happiness"
   •  "Always meditate on whatever provokes resentment"


Working with these slogans and through the practice of meditation, Start Where You Are shows how we can all develop the courage to work with our own inner pain and discover joy, well-being, and confidence.

• Sales Rank: #341881 in Books
• Brand: Chodron, Pema
• Published on: 2004-03-09
• Released on: 2004-03-09
• Original language: English
• Number of items: 1
• Dimensions: 7.01" h x .85" w x 4.65" l, .65 pounds
• Binding: Hardcover
• 240 pages

Amazon.com Review
Pema Chodron is a Buddhist nun for regular folks. Having raised a family of her own, she doesn't shy away from persistent troubles and the basic meatiness of life. In fact, in Start Where You Are, Chodron tries to get us to see that the faults and foibles in each of us now are the perfect ingredients for creating a better life. No need to wait for a quieter time or a more settled mind. The trick Chodron says is to repattern ourselves, to transform bad habits into good by first opening ourselves to the groundlessness of existence. When the cliff dissolves beneath our feet, fear has a way of actually lessening. Fearlessness opens the way to recognizing our pushy egos and that rather than being cursed with original sin, we are blessed with an original soft spot--the squishy feeling inside that we all have, that is the seat of true compassion, and that we all do our best to armor over. Chodron is the kind of teacher who has seen it all and keeps pushing us back into ourselves until there's no one left to wrestle with but a certain recalcitrant image in the mirror. --Brian Bruya

From Publishers Weekly
"This book is about awakening the heart," writes the American Tibetan Buddhist teacher Chodron. "If you have every wondered how to awaken your genuine compassionate heart, this book will serve you as a guide." This is a broad and simple statement, and those unfamiliar with When Things Fall Apart or other titles by Chodron may rightfully fear that a volley of nonsensical fuzzballs is on the way. Good bedtime reading, perhaps, but in the decade since its original 1994 publication, there seems to be even less grounds to claim that all humans are innately capable of openness, clarity and compassion (or "bodhichitta"). What follows, however, is a savvy, down-to-earth contemporary version of an old Tibetan Buddhist technique for mind training, or "lojong," supported by instructions in basic sitting meditation practice (to cultivate tranquility and insight) and "tonglen"—a meditative technique that involves taking in the dark, heavy, negative emotions and sending out an attitude of light, compassionate embrace, a warm spaciousness, in its place. Chodron supplies a pithy contemporary analysis for each of 59 "slogans" that make up the teaching behind this practice. "There is a saying that is the underlying principle of tonglen and slogan practice: ‘Gain and victory to others, loss and defeat to myself,’" she writes. Far from being as masochistic as this may sound to Western ears, however, the aim is get people to unclench the heart and mind, to dare to taste defeat. Although far from easy, Chodron’s humane, incisive approach can help any sincere reader learn to relate to fear and pain and pleasure and joy in a way that will open their hearts to the richness of their own lives and all life.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Library Journal
American Buddhist nun Chodron, who was trained in the Tibetan tradition by the late Chogyam Trungpa, provides a book of meditative insights and instructions based on the 59 Tibetan Buddhist slogans for developing compassion, e.g., "When we find that we are holding back, here is instruction on how to give." While some of the slogans depend on Buddhist teaching, many-such as "be grateful to everyone"-are widely applicable. Chodron's teachings are supported by personal reflections, clear explanations, and an attention to how one may achieve the goal of compassion. Useful both for Buddhist meditators and those wanting to understand Buddhist spirituality, this is recommended for large public and academic libraries.
Copyright 1994 Reed Business Information, Inc.

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Download PDF Case Studies in Couples Therapy: Theory-Based Approaches (Family Therapy and Counseling)

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• Published on: 1600
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Ebook Download The Death of Character: Perspectives on Theater after Modernism (Drama and Performance Studies)By Elinor Fuchs

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"Extremely well written, and exceedingly well informed, this is a work that opens a variety of important questions in sophisticated and theoretically nuanced ways. It is hard to imagine a better tour guide than Fuchs for a trip through the last thirty years of, as she puts it, what we used to call the ‘avant-garde.’" ―Essays in Theatre

"... an insightful set of theoretical ‘takes’ on how to think about theatre before and theatre after modernism." ―Theatre Journal

"In short, for those who never experienced a ‘postmodern swoon,’ Elinor Fuchs is an excellent informant." ―Performing Arts Journal

"... a thoughtful, highly readable contribution to the evolving literature on theatre and postmodernism." ―Modern Drama

"A work of bold theoretical ambition and exceptional critical intelligence.... Fuchs combines mastery of contemporary cultural theory with a long and full participation in American theater culture: the result is a long-needed, long-awaited elaboration of a new theatrical paradigm." ―Una Chaudhuri, New York University

"What makes this book exceptional is Fuchs’ acute rehearsal of the stranger unnerving events of the last generation that have―in the cross-reflections of theory―determined our thinking about theater. She seems to have seen and absorbed them all." ―Herbert Blau, Center for Twentieth Century Studies, University of Wisconsin, Milwaukee

"Surveying the extraordinary scene of the postmodern American theater, Fuchs boldly frames key issues of subjectivity and performance with the keenest of critical eyes for the compelling image and the telling gesture." ―Joseph Roach, Tulane University

"... Fuchs makes an exceptionally lucid and eloquent case for the value and contradictions in postmodern theater." ―Alice Rayner, Stanford University

"Arguably the most accessible yet learned road map to what remains for many impenetrable territory…an obligatory addition to all academic libraries serving upper-division undertgraduates and above." ―Choice

"A systematic, comprehensive and historically-minded assessment of what, precisely, ‘post-modern theatre’ is, anyway." ―American Theatre

In this engrossing study, Elinor Fuchs explores the multiple worlds of theater after modernism. While The Death of Character engages contemporary cultural and aesthetic theory, Elinor Fuchs always speaks as an active theater critic. Nine of her Village Voice and American Theatre essays conclude the volume. They give an immediate, vivid account of contemporary theater and theatrical culture written from the front of rapid cultural change.

• Sales Rank: #154700 in Books
• Published on: 1996-07-22
• Released on: 1996-07-22
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x .66" w x 6.12" l, .84 pounds
• Binding: Paperback
• 240 pages

Review

Treating theater as a crucial mediating term between the heterogeneous fullness of life and the clarifying abstractions of theory and as a grounding principle in a period of conflicting or dissolving truths, Fuchs (Yale and Columbia) demonstrates in this sage and sane examination of postmodern theater (especially in the US) why she is one of the most astute observers of the contemporary scene. As a critic she brings to this perceptive, dense study not only insights of sheer brilliance but historical perspective (including samplings of her own reviews and articles, 1979–93) and contextual overview rare in contemporary critical writing. Although clearly supportive of trends challenging more traditional approaches in theater, she remains objective and balanced throughout. She provides illuminating analyses of work by such artists as Richard Foreman, Robert Wilson, Meredith Monk, Reza Abdoh, Elizabeth LeCompte, and Suzan-Lori Parks, among others, and such influential theorists as Jacques Derrida. Arguably the most accessible yet learned road map to what remains for many impenetrable territory, Fuchs' book, heavily theoretical but constantly anchored to specific performances, is an obligatory addition to all academic libraries serving upper-division undergraduates and abovD. B. Wilmeth, Brown University, Choice, December 1996

From the Back Cover
In this engrossing study, Elinor Fuchs explores the multiple worlds of theater after modernism. She begins with the decline of character, once the central link between the artist and the spectator. In theatrical modernism Fuchs sees a series of strategies to compensate for this decline. Postmodern theater no longer greets the demotion of character with anxiety, despair, or satisfaction--as in Pirandello, Beckett, or Brecht--but puts in its stead a multiple subject, a protean spectator, and a dispersed field of attention.

About the Author

ELINOR FUCHS, a New York theater critic noted for her writing on contemporary experimental theater, is on the faculty of the School of the Arts at Columbia University and is Lecturer at the Yale School of Drama. She has also taught at Harvard University, New York University, and Emory University. She is editor of Plays of the Holocaust: An International Anthology, and co-author (with Joyce Antler) of the documentary play Year One of the Empire. Her essays have appeared in such publications as American Theatre, The Drama Review, Modern Drama, Theater, and Performing Arts Journal. She has been a contributor to The Village Voice since 1982.

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