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Sunday, June 26, 2011

PDF Download House of Leaves, by Mark Z. Danielewski

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House of Leaves, by Mark Z. Danielewski

Amazon.com Review

Had The Blair Witch Project been a book instead of a film, and had it been written by, say, Nabokov at his most playful, revised by Stephen King at his most cerebral, and typeset by the futurist editors of Blast at their most avant-garde, the result might have been something like House of Leaves. Mark Z. Danielewski's first novel has a lot going on: notably the discovery of a pseudoacademic monograph called The Navidson Record, written by a blind man named Zampanò, about a nonexistent documentary film--which itself is about a photojournalist who finds a house that has supernatural, surreal qualities. (The inner dimensions, for example, are measurably larger than the outer ones.) In addition to this Russian-doll layering of narrators, Danielewski packs in poems, scientific lists, collages, Polaroids, appendices of fake correspondence and "various quotes," single lines of prose placed any which way on the page, crossed-out passages, and so on. Now that we've reached the post-postmodern era, presumably there's nobody left who needs liberating from the strictures of conventional fiction. So apart from its narrative high jinks, what does House of Leaves have to offer? According to Johnny Truant, the tattoo-shop apprentice who discovers Zampanò's work, once you read The Navidson Record, For some reason, you will no longer be the person you believed you once were. You'll detect slow and subtle shifts going on all around you, more importantly shifts in you. Worse, you'll realize it's always been shifting, like a shimmer of sorts, a vast shimmer, only dark like a room. But you won't understand why or how. We'll have to take his word for it, however. As it's presented here, the description of the spooky film isn't continuous enough to have much scare power. Instead, we're pulled back into Johnny Truant's world through his footnotes, which he uses to discharge everything in his head, including the discovery of the manuscript, his encounters with people who knew Zampanò, and his own battles with drugs, sex, ennui, and a vague evil force. If The Navidson Record is a mad professor lecturing on the supernatural with rational-seeming conviction, Truant's footnotes are the manic student in the back of the auditorium, wigged out and furiously scribbling whoa-dude notes about life. Despite his flaws, Truant is an appealingly earnest amateur editor--finding translators, tracking down sources, pointing out incongruities. Danielewski takes an academic's--or ex-academic's--glee in footnotes (the similarity to David Foster Wallace is almost too obvious to mention), as well as other bogus ivory-tower trappings such as interviews with celebrity scholars like Camille Paglia and Harold Bloom. And he stuffs highbrow and pop-culture references (and parodies) into the novel with the enthusiasm of an anarchist filling a pipe bomb with bits of junk metal. House of Leaves may not be the prettiest or most coherent collection, but if you're trying to blow stuff up, who cares? --John Ponyicsanyi

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From Publishers Weekly

Danielewski's eccentric and sometimes brilliant debut novel is really two novels, hooked together by the Nabokovian trick of running one narrative in footnotes to the other. One-the horror story-is a tour-de-force. Zampano, a blind Angelino recluse, dies, leaving behind the notes to a manuscript that's an account of a film called The Navidson Report. In the Report, Pulitzer Prize-winning news photographer Will Navidson and his girlfriend move with their two children to a house in an unnamed Virginia town in an attempt to save their relationship. One day, Will discovers that the interior of the house measures more than its exterior. More ominously, a closet appears, then a hallway. Out of this intellectual paradox, Danielewski constructs a viscerally frightening experience. Will contacts a number of people, including explorer Holloway Roberts, who mounts an expedition with his two-man crew. They discover a vast stairway and countless halls. The whole structure occasionally groans, and the space reconfigures, driving Holloway into a murderous frenzy. The story of the house is stitched together from disparate accounts, until the experience becomes somewhat like stumbling into Borges's Library of Babel. This potentially cumbersome device actually enhances the horror of the tale, rather than distracting from it. Less successful, however, is the second story unfolding in footnotes, that of the manuscript's editor, (and the novel's narrator), Johnny Truant. Johnny, who discovered Zampano's body and took his papers, works in a tattoo parlor. He tracks down and beds most of the women who assisted Zampano in preparing his manuscript. But soon Johnny is crippled by panic attacks, bringing him close to psychosis. In the Truant sections, Danielewski attempts an Infinite Jest-like feat of ventriloquism, but where Wallace is a master of voices, Danielewski is not. His strength is parodying a certain academic tone and harnessing that to pop culture tropes. Nevertheless, the novel is a surreal palimpsest of terror and erudition, surely destined for cult status. (Mar.) Copyright 2000 Reed Business Information, Inc.

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Product details

Series: House of Leaves (Book 1)

Paperback: 709 pages

Publisher: Pantheon; 2nd edition (March 7, 2000)

Language: English

ISBN-10: 0375703764

ISBN-13: 978-0375703768

Product Dimensions:

7 x 1.4 x 9.2 inches

Shipping Weight: 2.3 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

1,355 customer reviews

Amazon Best Sellers Rank:

#519 in Books (See Top 100 in Books)

This book came into my possession in 2003. I was stationed in Iraq, hanging out with a battle buddy. He and I were hanging out in the recreation tent at Baghdad International Airport (BIAP, aka Camp Sather) watching DVDs and perusing books. Sam, my battle buddy, hands me a battered copy of this book, and says, "I tried reading this-- but I think it's more your speed."We parted ways in November. I was headed home, he went to another location. I was on a layover at an airbase in Al Udeid when I started reading this book.And by "reading this book", I meant devouring it, like Bastian did as he holed himself in the attic of his primary school, surrounded by food, covered in a rough blanket, sequestered from the rest of the world, pouring through a mighty tome about a story without an end.I didn't put the book down save to sleep and trek out to the latrine to do what needed to be done every few hours or so. I usually burn through a book in a few hours, but this one demanded time and attention, lest I run over vital. I was taken by the unreliable narrator of Johnny Truant, and I was enthralled by the journey Navidson endured in reclaiming his life from the horrifying macguffin that was the house his family lived in (and people died horribly in).Navy and Johnny were two sides of the same coin, bound together by the mysterious scratches of a dead, Milton-esque man. Their stories were so disparate and yet so interconnected. The fabric between them was everywhere from rough and roughly hewn to diaphanous and metaphysical. The footnotes of footnotes were layers upon layers -- toying with the reality in which the contents of the book existed. Rules were set up and broken, and yet, everything was cohesive as long as the reader had the endurance to follow along.I've seen a LOT of the One-Star reviews complain that they weren't snagged within the first 100 pages. Pity-- Not everything is a slamming action-fast-paced piece of NASCAR fiction that grabs one by the genitals and rips them off in the first two pages. If you aren't in for the slow burn, then the first five words of the book ring true:This is not for you.House of Leaves became a seminal event in my life when I finished reading it. The darkness in my life, punctuated with walking away from a war with my life and body in tact, became that much clearer from the light-- and I somehow began finding awe and inspiration with greater ease. Some have said that it's a story about people coming to grips with loneliness and/or depression. Some have said it's a love story.No one is wrong in their discovery. The only wrong that may be done is to criticize a book unread.To that end, I've ended up buying different copies of this book, like a madman collecting any copy of JD Salinger's "Catcher in the Rye" they could get their hands on, or a person who absolutely could not would not leave the house without a pair of gloves to shield their hands from the world. Whenever I mentioned the book to a friend, they usually ended up being the recipient of the copy I bought.The original copy I received, the one Sam gave me, is in a fireproof safe. Well-worn with a hand-written note scribbled on the front page, I refuse to part with it. But at this point, I'm considering buying a new copy so that I can read it again.

House of Leaves was recommended to me by a friend and I have to say, this book is incredible. If you like suspense, horror, and having nightmares about books (I'm serious), then this one is for you. The story will affect you on multiple levels. Buy this book. MAKE SURE you get the one that's FULL COLOR. Read everything. Don't skip ahead or flip through the book before you begin reading. If you get vertigo halfway through, that just means you're fully appreciating Danielewski's work. Hands down, the most entertaining book I've ever read. It was a joy to read.Trust me, I'm already mad at you for not having this book in your shopping cart.

This is the single greatest work of fiction that I have ever read. It was been several years since I have but I have purchased two copies since then and gifted them to my Anne Rice addict aunt and my Navy bound brother who is a fan of Stephen King. I was first introduced by my best friend and ever since I got a hold of it, I havr been looking for something else like it. I keep saying that it needs to be a movie. I imagine Darren Aronofsky (Requiem for A Dream, Black Swan) would direct it, if I had my wish. This book is work but it is worth it. It draws you in like the maze in the house that is bigger on the inside. Amazing!

It's been a few days since I finished this book and my best one word description is "heavy". It's a big sucker at just over 700 pages, so literally heavy and it's not at all what anyone would describe as light reading! Don't let the 700+ pages keep you away though! This is quite an unusual book! Some of the pages only have one word on them. Some are just lists of names!When I first started reading House of Leaves, I really didn't think I was going to like it. It's a kind of tedious book at times. There are a LOT of footnotes! The page flipping and re-reading and foreign language translation and, let's just face it, some English translation! Mark Z. Danielewski knows a lot of words! Really! Tons of them!As I continued, I became more and more intrigued and felt as if I was "experiencing" the book, not just reading it!The strange pages made me want to know what was on them! And they are pretty strange. There are no rules! I can see how it has become an obsession for some! I will omit my spoilers here! The end came and I was just not satisfied!!! Not at all!So, rough start, rough ending, loved the middle... I'd say that's a clear 3 stars! But... you have to give this guy credit for an amazingly original book! I'm not sure what kind of crazy smart or crazy twisted mind Danielewski has but he must be one heck of a guy to have a conversation with! So, I give it 4 stars, 3 for content, 5 for creativity and originality!

I love good, well written literature. I also enjoy a well written mystery, preferrably with supernatural under-tones. The reviews for this novel made me believe that is what I was in for : a house bigger on the inside than the outside. I thought I was in for an excellent tale akin to Peter Straub’s best works. I was sadly disappointed. The novel’s layout is pretentious just like the socalled artistic cinematography of the Blair Witch movie, which gave me a headache. The writing is so-so. It becomes a tedious read to get to the the key story points and once there, one experiences the same disappointment that one has after reading Lovecraft (another pretentious author, with a tedious writing style). I was taken in by the many 5 star positive reviews and should have read the 3, 2, and 1 star ones. I am sorry I wasted my money on this doorstop weight of a book (it is huge yet many pages have one phrase or two on them), and not to mention what I paid for shipping as it was not eligible for Prime. The book quickly becomes unreadable unless you are very invested in this style of “creepy pasta” story telling. I like creepy paste tales but not this one. Do not waste your money, there are better written and more entertaining novels available than this one.

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Saturday, June 25, 2011

Get Free Ebook Trish, Just Trish (This Can't Be Happening Book 2)By Lynda LeeAnne

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Trish, Just Trish (This Can't Be Happening Book 2)By Lynda LeeAnne

Author’s warning: Including, but not limited to: a deep, dark childhood, lots and lots of cussing (as in, A LOT), a ton of fighting, maybe hair pulling, a bitch with a vulnerable side, and last, but not least, über possessive, over obsessive, crazy hot alpha males on the verge of needing therapy… and maybe a tear or two.

Patricia Grace Kincaid is haunted by her past and no matter what she does, the ghosts won’t stay away. A childhood incident nearly ruined her life. A mistake that she made two years ago ripped her to shreds. She isn’t the same feisty, fearless bitch she used to be… or is she?

What will happen when the person she screwed over storms back into her life? She freaks. Is it for the reason she’s always hoped for… that Tony Lopez, the breathtakingly sexy Latino love of her life, has finally decided to forgive her? Hell no. Will he demand her complete submission? Yes. Will he make her life hell? Double yes. Will she, in return, torture him? Hell-to-the-yes. Will her past come back to haunt her? Absolutely.

  • Sales Rank: #189574 in eBooks
  • Published on: 2013-12-12
  • Released on: 2013-12-12
  • Format: Kindle eBook

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Saturday, June 18, 2011

Download PDF Fiber Optic Test and MeasurementFrom Prentice Hall

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This is the most authoritative, complete source of test and measurement information for engineers who design and maintain fiber optic networks. This book presents measurement principles for characterizing all three basic components of a fiber optic communication system: the optical transmitter, fiber medium and optical receiver. It also covers system level measurements, and discusses the principles and limitations of current fiber optic testing equipment. It discusses testing to SONET/SDH international standards, and helps engineers choose the best approach to testing today's new erbium doped fiber amplifiers. The book provides detailed recommendations for understanding polarization states, and presents new methods for accurately characterizing the behavior of Wavelength Division Multiplexing (WDM) fiber systems. It includes detailed coverage of testing fiber in the local loop, using optical power meters and optical time domain reflectometers. It also reviews the latest state-of-the-art 10 Gb/s systems, and even faster systems on the horizon. The coverage is practical, helping professionals accurately measure and test fiber optic systems without becoming experts in theory. All fiber optic engineers working with communications applications.

  • Sales Rank: #1116207 in Books
  • Published on: 1997-10-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x 1.50" w x 6.80" l, 2.49 pounds
  • Binding: Paperback
  • 672 pages

From the Back Cover


53433-9

The complete, practical guide to testing fiber optic communication components and systems.

Fiber optic networks are evolving rapidly—and so is the technology used to design, measure, and test them. Fiber Optic Test and Measurement is the first authoritative, complete guide to measuring both current optical networks and those on the horizon. It reflects the collective experience of Hewlett-Packard's world-class lightwave test and measurement organization, and presents extensive information that has had limited circulation to date.

Learn how to characterize all three basic components of a fiber optic communication system: the optical transmitter, fiber medium, and optical receiver. Review each fundamental area of fiber optic measurement, including:

  • Optical power measurements using several types of photodetectors
  • Spectral measurements using diffraction gratings, Michelson interferometers and both heterodyne and homodyne spectrum analysis
  • Polarization measurements—increasingly important in high data rate networks that utilize optical amplifiers
  • Modulation measurements via frequency and time domain analyses

The book's unprecedented coverage of advanced fiber technology will be invaluable to professionals implementing or maintaining new optical networks. Learn how to:

  • Test digital fiber systems to SONET/SDH international standards
  • Accurately characterize the behavior of Wavelength Division Multiplexing (WDM) fiber systems
  • Test two-port optical devices for insertion loss, reflectivity of components, chromatic and polarization mode dispersion, and the behavior of Erbium-doped fiber amplifiers (EDFAs).

This practical guide will help technicians, engineers, and scientists accurately measure and test fiber optic systems, without becoming experts in fiber optic theory. It will be equally useful for experienced fiber optic professionals and those new to the field.

About the Author

Hewlett-Packard engineers and scientists at three different locations in California and Germany collaborated to produce this work.

DENNIS DERICKSON (editor) was one of the founding members of Hewlett-Packard's fiber optic test and measurement group in Santa Rosa, CA.

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Wednesday, June 15, 2011

Ebook There's Something I Want to Tell You: True Stories of Mixed Dating in JapanBy Yuta Aoki

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There's Something I Want to Tell You: True Stories of Mixed Dating in JapanBy Yuta Aoki

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This book explores the dating histories of 15 people of 8 nationalities, including straight and LGBT people. Some of them came to Japan because of their job, and others by choice, but they have one thing in common: struggling with dating Japanese men and women.

  • Nadia, a black American woman, met her Japanese fiancé on a dark street when he approached her in a car.
  • James, a white British man, saved a Japanese girl from a robber, and she became his first girlfriend.
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Welcome to the exciting world of mixed dating in Japan!

  • Sales Rank: #780810 in Books
  • Published on: 2015-02-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .58" w x 5.00" l, .55 pounds
  • Binding: Paperback
  • 219 pages

About the Author
Yuta Aoki is a Japanese author, blogger, and YouTuber. He writes about Japanese culture, multi-cultural communication, and dating.He is a chronic traveler. He has been to more than thirty countries, from Eastern Europe all the way across to Southeast Asia. He enjoys talking to local people and listening to their stories. His desire to share the best of these stories inspired him to write There's Something I Want to Tell You: True Stories of Mixed Dating in Japan. He dates internationally, although he s slightly worried that he might end up spending more time writing about dating than actually doing it.He was born and raised in Japan.

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There's Something I Want to Tell You: True Stories of Mixed Dating in JapanBy Yuta Aoki PDF

There's Something I Want to Tell You: True Stories of Mixed Dating in JapanBy Yuta Aoki PDF

There's Something I Want to Tell You: True Stories of Mixed Dating in JapanBy Yuta Aoki PDF
There's Something I Want to Tell You: True Stories of Mixed Dating in JapanBy Yuta Aoki PDF

Sunday, June 12, 2011

Ebook Download Behind the Lens: Dispatches from the Cinematographic TrenchesBy Jay Holben

Ebook Download Behind the Lens: Dispatches from the Cinematographic TrenchesBy Jay Holben

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Behind the Lens: Dispatches from the Cinematographic TrenchesBy Jay Holben

Behind the Lens: Dispatches from the Cinematographic TrenchesBy Jay Holben


Behind the Lens: Dispatches from the Cinematographic TrenchesBy Jay Holben


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Behind the Lens: Dispatches from the Cinematographic TrenchesBy Jay Holben

Filmmaker Jay Holben has been battling in the production trenches for most of his life. For the past 17 years, he’s chronicled his adventures in the pages of American Cinematographer, Digital Video, Videography, and TV Technology. Now, in Behind the Lens: Dispatches from the Cinematic Trenches, he’s compiled nearly 100 of his best articles on everything from camera technology and lenses to tips and techniques for better lighting. Whether you’re making independent films, commercials, music videos, documentaries, television shows, event videos, or industrials, this full color collection provides the tools you need to take your work to the next level and succeed in the world of digital motion imaging.

Featured topics include:

*Tech, including the fundamentals of how digital images are formed and how they evolved to match the look of a film, as well as image compression and control

*Optics, providing a thorough examination of lenses and lens interchangeability, depth of field, filters, flare, quality, MTF, and more

*Cameras, instructing you in using exposure tools, ISO, white balance, infrared, and stabilizers

*Lighting, featuring advice on using lighting sources and fixtures and how to tackle common lighting problems

Additional tips and tricks cover improving audio, celestial photography, deciding if film school is right for you, and much more.

For over a decade Jay Holben has worked as a director of photography in Los Angeles on features, commercials, television shows, and music videos. He is a former technical editor and frequent contributing writer for American Cinematographer, the current technical editor and columnist for Digital Video, and the lighting columnist for TV Technology. The author of A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget, Holben is also on faculty for the Global Cinematography Institute. He is now an independent producer and director.

  • Sales Rank: #150163 in Books
  • Published on: 2015-09-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .90" w x 7.40" l, 1.64 pounds
  • Binding: Paperback
  • 466 pages

About the Author

For over a decade Jay Holben has worked as a director of photography in Los Angeles on features, commercials, television shows, and music videos. He is a former technical editor and frequent contributing writer for American Cinematographer, for seven years he served as technical editor and columnist for Digital Video and currently writes a lighting column for TV Technology. The author of A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget, Holben is also on faculty for the Global Cinematography Institute. He is now an independent producer and director.

Behind the Lens: Dispatches from the Cinematographic TrenchesBy Jay Holben PDF
Behind the Lens: Dispatches from the Cinematographic TrenchesBy Jay Holben EPub
Behind the Lens: Dispatches from the Cinematographic TrenchesBy Jay Holben Doc
Behind the Lens: Dispatches from the Cinematographic TrenchesBy Jay Holben iBooks
Behind the Lens: Dispatches from the Cinematographic TrenchesBy Jay Holben rtf
Behind the Lens: Dispatches from the Cinematographic TrenchesBy Jay Holben Mobipocket
Behind the Lens: Dispatches from the Cinematographic TrenchesBy Jay Holben Kindle

Behind the Lens: Dispatches from the Cinematographic TrenchesBy Jay Holben PDF

Behind the Lens: Dispatches from the Cinematographic TrenchesBy Jay Holben PDF

Behind the Lens: Dispatches from the Cinematographic TrenchesBy Jay Holben PDF
Behind the Lens: Dispatches from the Cinematographic TrenchesBy Jay Holben PDF